James MOODY (SAXOPHONISTE)

But the Stay Human ensemble (alto saxophone, tuba, guitar, piano, bass and drums) defies the conventions of any era of jazz, and the players didn't hesitate to use modern language. That was especially true of Batiste; though he pulled blues licks and ...

Local artists: Ron Sexmith, Oliver Jones, Marianne Trudel, Colin James, François Bourassa, Jean-Pierre Zanella, to name a few. ? At the Galerie du Festival, this year at Salle d'exposition de l'Espace culturel Georges-Émile-Lapalme de la Place des ...

James Chance (May 3, Brooklyn Bowl) also spent the majority of his career bringing a jazz sensibility to music that falls decidedly outside that arena. In his late '70s work with his band the Contortions, he used his saxophone to drill angry holes ...

They also found a great match in current tour partners Exitmusic, another coed duo from New York with a similarly moody sound but more dramatic, Florence Welch-like vocals. The newcomers played a powerful live set at South by Southwest and will release ...

... avait enregistré en 1949 avec james moody et art simmons.personne n'est parfait... a l'occasion de la tournée qu'il effectuait comme accompagnateur de sarah vaughan-un concert avait eu lieu à la salle pleyel avec,au meme programme,illinois jacquet ...

... Oct. 17, at the New Jersey Performing Arts Center. The concert will kick off the first James Moody Democracy of Jazz Festival, a four-day celebration of jazz and the accomplishments of James Moody, a famed saxophone player and Newark native.

CL This spin-off project by Jim Cauty of the KLF ? the band gleefully responsible for this Time Lord trainwreck ? is a psychonautical ambient house journey out of our Solar System. Turn off all the lights in your house, take a few deep breaths, ...

Carrington headed for New York and immediately started playing with jazz giants: Pharoah Sanders, James Moody, the New York Jazz Quartet, Stan Getz, the list goes on. ?Then I moved to LA,? Carrington said. ?I started playing with Wayne Shorter, ...

Behind him, Vänskä's musicians wove their own tapestry, marked by menacing fortissimo jabs, droning bass lines, tremulous violins, moody saxophone solos, snake-charming undulations, and dramatic commentary from three separate percussion kits arranged ...

Auerbach's guitar is a standout, and check out the prodding baritone sax on Revolution. When Dr. John sings, "Ain't never was, never gonna be/another big shot like me," it's hard to argue. 'Ö'Ö'Ö'Ö -- Chris Smith MINISTRY Relapse (13th Planet Records) ...